Divyasanatan — दिव्यसनातन
    Temple and its reflection in the Pond
    The Masrur rock-cut monolithic temples are an exceptional illustration of the sophisticated temple design and architecture that had developed in India by the 8th century.
<p>Near Beas river, Indian craftsmen then began carving a grand temple complex out o
    The Masrur rock-cut temple in Himachal Pradesh shows a diversity of iconography from all major traditions of Hinduism. Michael Meister states that this likely reflects Hindu ecumenism or henotheism by the 8th-century. Above is an incomplete location of so
    Masrur Hindu temples complex is henotheistically dedicated to Shiva, Vishnu, Devi and Surya traditions of Hinduism. It is collection of an early 8th century rock-cut monolithic temples found in the Beas River Kangra valley Himachal Pradesh facing the Hima
    Masrur Hindu temples complex is henotheistically dedicated to Shiva, Vishnu, Devi and Surya traditions of Hinduism. It is collection of an early 8th century rock-cut monolithic temples found in the Beas River Kangra valley Himachal Pradesh facing the Hima

    Masroor Rock Carved Temple

    The Masrur Temples, also referred to as Masroor Temples or Rock-cut Temples at Masrur, is an early 8th-century complex of rock-cut Hindu temples in the Kangra Valley of Beas River in Himachal Pradesh, India. The temples face northeast, towards the Dhauladhar range of the Himalayas. They are a version of North Indian Nagara architecture style, dedicated to Shiva, Vishnu, Devi and Saura traditions of Hinduism, with its surviving iconography likely inspired by a henotheistic framework. Though a major temple complex in the surviving form, the archaeological studies suggest that the artists and architects had a far more ambitious plan and the complex remains incomplete. Much of the Masrur's temple's sculpture and reliefs have been lost. They were also quite damaged, most likely from earthquakes. The temples were carved out of monolithic rock with a shikhara, and provided with a sacred pool of water as recommended by Hindu texts on temple architecture. The temple has three entrances on its northeast, southeast and northwest side, two of which are incomplete. Evidence suggests that a fourth entrance was planned and started but left mostly incomplete, something acknowledged by the early 20th-century colonial era archaeology teams but ignored leading to misidentification and erroneous reports. The entire complex is symmetrically laid out on a square grid, where the main temple is surrounded by smaller temples in a mandala pattern. The main sanctum of the temples complex has a square p

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